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HOSPITALITY
THE ROCK RADISSON RED VIENNA
NEW CONSTRUCTION OF A RADISSON RED HOTEL IN VIENNA
Services:
Masterplanning & Urban Design
Exterior Architecture
Interior Architecture
Space Planning
Interior Design
Lighting Design
“THE ROCK” is a new hospitality building designed for Radisson´s recently launched lifestyle hospitality brand, Radisson RED. The hotel, which is the first of its kind in the German-speaking region, can be found at both a physical and social junction in Vienna’s 2nd district. The semi-public building houses 179 rooms, an event space, a publicly accessible rooftop bar and terrace, a courtyard, restaurant, and gym.
“THE ROCK”是为Radisson最近推出的生活方式酒店品牌Radisson RED设计的一座新酒店。该酒店是德语区的第一家此类酒店，位于维也纳第二区的物理和社会交界处。这座半公共建筑共有179间客房、一个活动空间、一个可供公众使用的屋顶酒吧和露台、一个庭院、餐厅和健身房。
The site is situated in a well-visited area among a row of notable highlights along the DanubeChannel. The design approach placed a strong focus on public expression and communication, resulting in an individual shape and identity. Architecturally, a complimentary tension exists between the facade’s regular raster of large windows and tectonic folding likened to that of a rock formation based on diverse influencing parameters. The folds follow site restrictions, permit light to reach neighboring structures and the street, and visually initiate the building’s lively interaction with the public. This exchange is fostered by an almost physical connection to the Schottenring metro station, directly in front of the hotel.
该项目位于多瑙河沿岸的一排著名景点中，游客众多。设计方法非常注重公共表达和交流，从而形成了个人的形状和身份。在建筑上，立面上规则的大窗户光栅和构造折叠之间存在互补的张力，类似于基于不同影响参数的岩层。褶皱遵循场地的限制，允许光线到达邻近的结构和街道，并在视觉上启动建筑与公众的生动互动。酒店与Schottenring地铁站的直接连接促进了这种交流。
From the street, one can see through the lobby to the courtyard thanks to the ground floor’s transparency, emphasizing the building’s public nature and social intent. This concept extends upwards from the courtyard into the rooftop garden and terrace. The hotel´s urban, lively surrounding is mirrored by the 24-meter-high mural in the courtyard, acting like a visual anchor. The interior´s surfaces, materials, and the hospitality group's curated furniture selection merge Radisson’s design guidelines with Viennese culture.
从街道上看，由于底层的透明性，人们可以透过大厅看到庭院，强调了建筑的公共性质和社会意图。这个概念从庭院向上延伸到屋顶花园和露台。酒店的城市、热闹的环境被庭院中24米高的壁画所反映，就像一个视觉锚。室内的表面、材料和酒店集团精心挑选的家具将Radisson的设计准则与维也纳文化融为一体。
The glass house rooftop is a platform for further public expression, forming a dialogue with the adjacent street, the river, and the city. An additional “greenhouse” typology stands out as a clear attraction amongst the regularity and consistency of neighborhood’s residential buildings, all having similar heights and traits. Cantilevering slightly over a row of windows below, it clearly indicates an exceptional space intending to interact with the rest of the city. The architecture´s notion is also transferred into the design of the top floor, where a lightweight, floating textile ceiling, unfolding tent-like into the bar space, blurs the boundaries between indoors and outdoors.
玻璃屋顶是进一步表达公共情感的平台，与邻近的街道、河流和城市形成对话。另一种“温室”类型在社区住宅建筑的规律性和一致性中脱颖而出，它们都具有相似的高度和特征。它的悬臂略高于下面的一排窗户，它清楚地表明了一个与城市其他部分互动的特殊空间。建筑的概念也被转移到顶层的设计中，在顶层，一个轻质的，浮动的纺织天花板，像帐篷一样展开到酒吧空间，模糊了室内和室外的界限。
The white, rhombus-shaped aluminum cladding, precisely folding around the edges, merges exterior walls and the roof into one homogenous volume, emphasizing the unified, rock-like nature. Goldbronze, slightly mirrored windows extend outside of the facade, providing sun protection. On the inside, they become pieces of furniture on their own, having the height of a bench and becoming “living windows,”communicating with nearby people and buildings and encouraging observation. In this way, even the windows have a subtle way of connecting with exterior public space.
白色的菱形铝包层，精确地折叠在边缘，将外墙和屋顶合并成一个均匀的体量，强调统一的，岩石般的性质。金色和青铜色的镜面窗户延伸到立面外，提供防晒。在内部，它们成为独立的家具，有长凳那么高，成为“活窗”，与附近的人和建筑交流，鼓励观察。通过这种方式，即使是窗户也与外部公共空间有着微妙的联系。
Client: Immovate Realita GmbH
Operator: Radisson Hotel Group
Location: Vienna, AUSTRIA
Floor Space: 8150 m²
Number of Floors: 11
Number of Units: 179
Completion: 03 / 2022
Project Team: Oliver Kupfner,
Martin Lesjak, Michael Gattermeyer, Jörg Kindermann, Harald Glanz, Sidonie
Muller, Michael Pleschberger, Amila Smajlovic, Anastasija Lesjak
Photographer: Paul Ott
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